“Bard on the Beach” as it’s called and a workmanlike production of Macbeth. Cast of thousands. Very stagey. Very play-like but a little flat, a little rote. A matinee so the cast does it all over again in a couple of hours. It’s hard work, the theatre.
And a lot of work went into this production but isn’t it too ambitious? Less would be more. A main stage production so it needs size to it. Set is a problem. Good backdrop, but there’s no depth or real believability. The set designer’s notes for this version sets the play “in a post-urban era marred by an unspecified event that caused the Macbeth’s to dwell in a sealed underground bunker.” Unspecified for sure. If you didn’t read the notes ahead of the play you’d have no idea what’s supposed to be going on here.
The furnishings of lady and Mr. Macbeth’s unspecified environs do seem meagre indeed and somehow in this world Birnham Wood still eventually comes to Dunsinane, a bunker now, sealing Macbeth’s fate. Don’t forget. We’re acting Macbeth here. Gotta do all the stuff.
Macbeth and Lady have an intercom of all things on which their porter, the porter or doorman dogsbody of “Here’s a knocking indeed” fame, communicates with them. Bzzz. Yet in the porter role “Here’s a knocking indeed” is never heard. Unless I was doing something else, but I wasn’t. I’m giving the play my full attention.
Munish Sharma, actor/playwright/producer, says his personal website handle, puts in a workmanlike performance as the crazed Macbeth. There’s that word again. He seems a bit old for crazy Macbeth. My vagrant thought is he would be good as a tough veteran cop in some tough, veteran cop thing. Tess Degenstein as our Lady Macbeth looks the part. Her exasperation over her husband’s weakness when he hesitates to act would shrink the soul of the stoutest scot. Kill ´em all Mac comes back with his hands covered in stage blood. The original premise of the play – a nobleman up there in the wilds of Scotland decides his best route to the throne to settle his beautiful bride is murder three people. He offs the king and the king’s guards too of course. Can’t risk them blabbing. It’s brilliant. And everybody everywhere will be okay with it. And furthermore he has the luckless Banquo, who would be king ahead of him if King Duncan disappears, killed by some deadbeats. The crown’s all his.
You’d think the Macbeths might have given consideration to everybody everywhere not being okay with it. Fools. It’s a tragedy. To borrow from the Dane’s (Hamlet’s) old man: Murder most foul. I’d find life difficult if I just murdered three people and ordered the killing of a fourth no matter who I thought I was. It’s crazy talk. But Macbeth’s a brilliant man. Thane of Cawdor The witches said he’d be king. They just didn’t say how. And now you’ve stepped in it.
The witches are underperformed in this effort. The closest resemblance of these three entities is to dark grey sheeted mumbling ghosts. Someday maybe, they’re gonna be witches if they can finally move up.
Withal withal. Worth seeing, good old Macbeth. B on the B is looking terribly successful these days. Bloody good show oldsters. Place was stuffed with them and we fit right in. Macbeth keeps murdering sleep to September 18.



